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Pete Enns & The Bible for Normal People

Pete Ruins Exodus: Part 4

In this episode, Pete continues his deep dive into the book of Exodus covering chapters 14-19 and the following topics:

  • The Red Sea
  • Mount Sinai
  • Manna and the Sabbath
  • Genesis (who knew the books of the Bible were connected!?)

Mentioned in this episode:

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Read the transcript

00:00

Pete:  You’re listening to the Bible for Normal People, the only God-ordained podcast on the internet.  Serious talk about the sacred book.  I’m Pete Enns.

Jared:  And I’m Jared Byas.

MUSIC

00:11

Hey everybody.  Welcome to Part 4 of the Pete Ruins Exodus series.  Before we begin, a couple of very quick announcements because I’m afraid I’m going to forget.  First of all, October 4 and 5, I’m going to be at Evolving Faith which is in Denver, CO this year.  That should be fun.  Also, on September 23, we’re offering a one-time only, one evening, one-hour class on Genesis.  Here’s the good news.  You pay what you want.  Just have to reserve your seat.  You can get information about that on the website, like exactly when and where.  Hope you can make it to that.  It should be fun.  It’s a one-hour only class.  I’m just talking about what I think are highlights of the book of Genesis and why I think is really important and what I think is really cool about the book that doesn’t always get picked up in casual readings of the book itself. 

Commercial’s over.  Let’s get into Part 4 of Pete Ruins Exodus.

This is going to take us from the departure from Egypt over the Red Sea through Chapter 19, and that is specifically beginning in Chapter 13, verse 17.  The middle of Chapter 13 through to the end of Chapter 19.  That’s the departure from Egypt and the journey to Sinai.

Just to review where we’ve been up to this point in this series as a whole.  We started with Moses and he gets this call from God to be the agent through which the Israelites will be delivered.  He has early struggles.  He really doesn’t want to do it.  But he finally gives in and goes ahead and he confronts Pharaoh.  Pharaoh doesn’t care what Moses says or what their no-name God says.  He never heard of Him. 

Of course, that results in the plagues which wind up convincing Pharaoh that, “Yeah, I’m no match for Israel’s god.”  Especially the plague of death, which is the tit-for-tat, payback for what Pharaoh did drowning the male infants in the Nile way back in Chapter 1.  Now they’re dead as well.  The firstborn of Egypt are dead.  That’s how the story goes. 

So now they depart.  All that’s over.  Now, they’re leaving Egypt never to go back again.  Remember, Mount Sinai, also called Horeb—we talked about that in several places in Exodus—Sinai is the goal of the rescue.  Aaron and Moses say, “Let my people go so that they might worship Me in the wilderness.”  The wilderness is where Sinai is. 

They have no clue at this point about where they are going afterward, namely into the land of Israel to take over for the Canaanites and to eradicate them and exterminate them and take their land.  They don’t know where that’s going.  All they know is that they’re going to Mount Sinai.  Even though the land and entrance to the land, and I’m going to say, just frankly, the monarchy, is really the true end goal of Israel in the Hebrew scriptures. 

I’ve written about this elsewhere, but the Pentateuch as a whole is really an entrance ramp onto that central, important period of time when the Israelites are in the land.  That’s where I think all this is going. 

We’ve got six plus chapters.  They can be divided into two parts.  The one is the actual departure from Egypt itself.  That starts in 13:17. It goes to the end of Chapter 15, 15:21.  Then the journey to Sinai, which picks up at 15:22 and goes to the end of Chapter 19.

These six chapters have some pretty well-known stories in them.

First, let’s look at some highlights from part one, the departure from Egypt across the Red Sea.  One thing to note is that we have two versions of the same event.  We have a prose version, which is 13:17 through Chapter 14.   Then the poetic version, which is in 15:1-21.

This is similar, if you’re familiar with the book of Judges, in Chapters 4 and 5, we also have a prose version and a poetic version of the exploits of the judge Deborah.  The poetry, the poetic version, is, according to biblical scholars who study Hebrew, it is certainly older.  At least, the core of it is older, if not the whole thing.  There are reasons for saying that.  That becomes important in a minute when we get into Chapter 15 because of the kinds of things that it says.

This is just a reminder to us that we have, here again, as we have so often in the Bible, evidence of different traditions that are probably written or originated orally in different times and places, and here we have editors at a later time putting them together, just back-to-back.

It’s like Genesis 1 and 2.  You have two creation stories and they are back-to-back, edited together and left there, even they don’t say exactly the same thing.

Let’s look at that prose, the narrative version first.  That’s the first one that pops up in 13 and 14.  They depart from Egypt and Yahweh makes them look lost in order to pick a fight with Pharaoh.  The people freak out (Israelites) and God drives back the Red Sea to open an escape route.  The Israelites pass through safely, but the Egyptians drown and they wash up on the shore.  That’s how the story goes.  Very famous story.

One thing to note is that Pharaoh was all ready to let them go.  He had been convinced after the last plague.  He said finally, “Just go.  I don’t want to see you again.  Just get out of here.”  He was ready to let them go, and he did.  But God wants Pharaoh to follow the Israelites.  God hardens Pharaoh’s heart.  You see it in Chapter 14, verse 8 and 17, and especially 17 is explicit that the purpose of the hardening is so that the Egyptians will follow the Israelites.  It’s hard to pass over the fact that God wants them dead.

As harsh as that is, and I think it is harsh, we can offer a contextual, theological explanation.  By contextual, I mean the groove of the story itself up to this point.  We can read this drowning of the Egyptian army in the Red Sea as tit-for-tat, payback for another Pharaoh drowning the Israelite male infants in the Nile way back in Chapter 1.  Also, “You’ve been treating my people harshly,” says Yahweh, “so I’m going to treat your people harshly.”  Although, I still wonder if this is necessary to drown them.  How about just letting the sea close up so they can’t cross.  But they drowned.  That’s how the story goes.


This is an example of violence in the Bible and it raises some eyebrows, not just for today, but this is a story that has made people think for quite a while.  It’s caused a lot of consternation for one of my own children.  When she was very young, she came home from Sunday School and this was the story and she came home just very, very upset, asking, “What kind of a god is this?  Aren’t these God’s children too?  Why does God do stuff like this?” 

This is not the Bible’s best moment, in my opinion.  But this is how the might and power of God is expressed in an ancient tribal context.  Your god is great because your enemies are destroyed before you.

Some of you know how I handle this sort of divine violence, not as a depiction of what really happened, or not as a depiction of what God is really like, but as a depiction of ancient people of faith, true ancient people of faith, albeit in a tribalistic, Iron Age society—the Iron Age started in 1200 BCE and goes well into the first millennium BCE.  That’s the basic time of Israel’s existence as a people is during the Iron Age.  This is how people in the Iron Age expressed their faith, expressed their understanding of the gods or of God.  This is what gods did.  They go to battle.

Remember, way back in the first episode, along with most biblical scholars, I said that I don’t think Exodus is a historical account, even if it preserves an ancient, historical memory, as biblical scholars like to call it.  I don’t think we would see this if someone had been videotaping, so to speak.  This reflects an ancient understanding of ancient Israelites about what their god is like.  That’s my opinion.  That’s how I “get out of it.”  But I’m not trying to get out of anything.  I’m trying to understand it.

If you’re interested, you can see some blog posts that I’ve written on violence.  You can just type, “violence” in the search bar or in an earlier chapter in The Bible Tells Me So, I deal with biblical violence as I understand it.  It’s the number one question I get from young people today.  That and human sexuality.  Those are the things that they really want to talk about.

09:30

Another thing about this prose narrative section.  The Israelites see the Egyptians coming and they grumble and they complain.  Basically, “we could have died just as easily in Egypt, Moses.  Why bring us all the way out here to just trap us at the sea?” 

Then Moses says something interesting that I think is often misunderstood, which is why I want to bring it up.  He basically says, “Don’t be afraid.  After today, you’ll never see these Egyptians again.”  I’m quoting verse 14 of Chapter 14.  “The Lord will fight for you.  You only have to keep still.”  That’s not a soothing word.  It’s typically interpreted, “There, there.  Just calm your hearts.  God will take care of everything.  Just be still and know that I am God,” as we read in the Psalms.  “The Lord will fight for you, but just chill.”

I don’t think that’s at all what Moses is saying in this story.  This is a rebuke.  “The Lord will fight for you.  You need to keep your mouth shut.  You need to stop complaining.”  This is the first of many rebukes of Moses that we’re going to see toward the Israelites in Moses’ lifetime.  This is the real beginning of this grumbling theme that we’re going to see a lot of. 

He’s not making them feel calmed about this.  He’s just saying, “Just shut up.  You’ve seen plagues, the Red Sea open, for heaven’s sake, and you’re still complaining.  Come on.” 

Another thing.  This concerns the actual parting of the Red Sea.  This is in verse 21.  The Red Sea is really the Sea of Reeds.  That’s what it says in Hebrew.  Where the Sea of Reeds is a topic of a lot of discussion among people who look for these sorts of things.  Is it a lake?  Is it a marsh or something like that?  But the reason why we say Red Sea in our English translations is that this has to do with influence of Greek translators of the Bible before the time of Jesus.

There was a little bit of confusion about what body of water was actually represented by this term “red sea.”  If you look at a map today of the modern Middle East and where it says “Red Sea,” it’s this massive body of water, that’s not what anybody meant.  It’s hard to know exactly what they meant, when they said “Red Sea” back in this Greek period.

In the biblical text, the Hebrew text, it says, “Sea of Reeds,” but again, we don’t know where that is either.  All that to the side.  The parting of the Red Sea echoes the creation story.  This is the theological point I want to make.  Moses stretched out his hand with the staff, and an East wind divided the waters of the Red Sea and they parted.

Now wind—the Hebrew word is “ruach,” which means “spirit” or “wind” and that’s the same “ruach” of Genesis 1 that is hovering over the “deep.”  What’s the “deep?”  The deep is the primordial sea at the dawn of creation that God has to tame, that God has to put in its place to allow for life to appear.  The wind drives back water giving life.  That’s the same in both the Genesis creation story of Genesis Chapter 1 and this parting of the sea here in Exodus. 

The wind, “it turned the sea to dry land”—I’m quoting here.  “And the waters were divided.”  It’s better to think of the waters as not maybe divided, although that’s fine, but as pushed back, pushed out of the way, revealing the dry land beneath, which is also the language in Genesis Chapter 1.  The third day of creation, it’s the same thing.  The waters were divided, revealing the dry land beneath.

In both stories, waters are separated, pushed aside, revealing what was there all the time: dry land.  In other words—this is getting into Genesis 1 a little bit more than you’re paying for here—in Genesis 1, this is why it’s not creation out of nothing.  What you have is a “deep,” a massive chaotic water that God divides and splits, revealing the dry land, i.e., the earth beneath it.  Those things were already there in Genesis Chapter 1.

Actually, Genesis Chapter 1 makes no sense unless we understand the ideology of the ancient Israelites here and how they thought about what a creator god does.  It’s not out of nothing.  That comes later.  It’s in the Bible.  It’s just not here.

Think of taking a leaf blower to a big puddle on a sidewalk after a heavy rain.  The water is pushed aside by the wind, by the force of the leaf blower, and the sidewalk is revealed, that’s always been there underneath.  That’s what’s happening in Genesis 1 and in Exodus 14 in the parting of the sea. 

Now the point—we touched about this is a couple of earlier episodes—the point is that God’s act of redemption, here crossing the Red Sea, is a replay of God’s act of creation, which is to say, redemption (saving, delivering, redeeming) is an act of re-creation.  Hang with me.

As with the plagues, parting the sea is getting creation involved in saving God’s people and destroying the enemies of God’s people.  In the flood, you have the waters of the upper atmosphere above the vault, above that dome, those waters are let go and they come crashing down to defeat the bad guys, which is basically everybody but Noah and his family.

That’s what’s happening too, here in the Exodus story in Chapter 14.  These waters are again separated and just like the flood story, they come crashing back down again.  But Israel, or Noah, are not affected negatively.  They’re actually delivered through that.  To save is to create again.  We here echoes of that in the New Testament.  I know I’ve mentioned this, but just very briefly I want to mention it again, because I think it’s so important theologically, in the New Testament we see echoes of this.  For example, where Paul says, “if anyone is in Christ, there is a new creation.” 

To be saved means to start anew and to use the language of John’s gospel, that you’re “born again.”  You’re starting over.  You have a new start.  Which is certainly what is happening here at the Red Sea.  Israel is being transformed, re-created from a group of slaves and now beginning to be formed into what it’s going to become, namely a nation.

Having said all that, it’s still a really violent story.  Let’s not cover over that.  But there are theological things happening there as well.  Speaking of violence, let’s turn to Chapter 15 here, the poetic version of the Red Sea crossing.

For one thing—I alluded to this before—this may be one of the oldest pieces of Israelite literature we have, because of the Hebrew style.  Scholars can tell where we are in stages of the evolution of biblical Hebrew.

17:05

Biblical scholars—this is routine.  This is very early.  This is not written during the monarchy, but probably going back to before the time of David.  It could be that old, which is very old.  Here’s the thing:  this very, very old piece of ancient Hebrew literature depicts God as a fierce warrior.  It’s not uncommon to hear scholars muse that Israel’s view of God began as one of being a warrior, understandably due to the cultural influences and then the view of God grew to include other metaphors like gardener, planter, potter, law-giver, things like that.

Warrior might become less prominent, less harsh, perhaps.  God’s depiction might become less harsh.  I don’t want to paint that in too simplistic a way, like there’s an evolution where God starts off as a warrior and ends as a tree-hugger.  But we do have the earliest reflections of Israelite religion in these poetic sections.  There, God is a fierce, no-nonsense, take-no-prisoners warrior.

You come later to the book of Jonah, where God says, “I actually have compassion on Israel’s enemies.  I don’t want to kill them.”

Something is going on in this trajectory within the Hebrew Bible or Old Testament itself. 

So this song praises Yahweh for destroying his enemies by drowning them in the sea.  For that reason, Yahweh is praised as a god who has no equal, as we read in verse 11.  “Who is like you, O Lord, among the gods?” 

Catch that there.  “Among the gods.”  We have here one of many examples, and you’ve heard this before, in the Old Testament of Israel’s belief that their god, Yahweh, was not the only god, but was the best god, the one truly worthy of worship. 

In fact, as I said before, that might be the point of the whole Pentateuch, to make the case that Yahweh alone is worthy of Israel’s worship.  Israel does not practice—I have a whole blog post series probably and a podcast from way back in Season 1 talking about this—but Israel did not practice monotheism, at least through most of its history that we see in the Old Testament, but monolatry. 

The difference is this:  monotheism means there’s only one god.  Monolatry means you only worship one, but you acknowledge the existence of others. 

We saw this is the plague story.  God is passing judgment on all the gods of Egypt.  Exodus 12:12. What does that mean?  Passing judgment on all the gods of Egypt?  It means—there’s an assumption there that there are other gods that Yahweh is passing judgment on.  If we miss this dynamic that Yahweh is better or the best by far of all the other gods or if we try to step around it because the theology bothers us a bit, we’re gonna miss the theology of the book. 

Making the Israelites into monotheists here is premature.  That happens later on in Israel’s history.  I would say certainly by the time you get to Jesus and well before that, we can call the Israelites monotheists.  Only one god exists.

The heavens might be active places, but they’re not gods.  But here, that’s not the case.  Making these Israelites here of Exodus into monotheists just creates confusion in the story.   You can’t make sense of things like Exodus 12:12, where Yahweh says he’s passing judgment on all the gods of Egypt.  I’ve beaten that dead horse enough.

20:57

Next point.  This song that’s sung at the sea mentions something.  It’s subtle.  It mentions something that doesn’t happen until much later in the biblical story.  Namely, I’m talking about verses 17 and 18.

Here’s how it begins: “You (Yahweh) brought them in and planted them on the mountain of your possession, the place, O Lord, that you made your abode.”  What is this mountain of your possession?  What is this about?  Maybe, it’s talking about Mount Sinai, because that’s where they’re going.  They’re not there yet, but nearly so.  Give it a couple chapters.  They’ll be there.  Still in the past tense, though. 

This raises another question.  Could it be referring to another mountain and another abode all together?  Hang in there.  Keep reading.  “The sanctuary, O Lord, that your hands have established.”  The sanctuary.  The holy place.  What is that sanctuary?  Could it be Sinai?  Perhaps.  It could be Mount Sinai.  Or perhaps another sanctuary entirely.

Keep reading.  Verse 18 says this: “The Lord will reign forever and ever.”  From where?  From the mountain?  From the abode?  From Mount Sinai?  Probably not, since Yahweh will leave forever Sinai when he goes with the Israelites into the Promised Land.  He doesn’t go back.  Yahweh doesn’t show up on Mount Sinai again and say, “I live here really.”  He’s going to live with Israel.  Where is he going to live with Israel?  In the temple. 

In Old Testament theology, the language we see here fits very nicely with the ideology of the temple in Jerusalem as the sanctuary, the abode, the mountain.  Mount Zion.  The temple is on a mountain.  Theology, Mount Zion takes the place of Mount Sinai in Israelite theology.  It’s from there that Yahweh will rule.  Through the kings, but forever and ever. 

We see this language in various places in the Old Testament, including the Psalms and II Samuel 7.  So what?  Well, for one thing, this illusion to the temple suggests that this ancient poem, as in pre-David, may have been added to as time went on to reflect Israel’s growing theology.  It’s developing theology.  In other words, this ancient poem, Chapter 15, may have gotten its final shape after the Israelites were settled in the land with their own king and temple. 

Note that (and I hope that your English translations get this because some don’t) the entire poem, all the stuff that talks about the Exodus and all the stuff that seems to be talking about the conquest of the land and entering it and building a temple where Yahweh’s going to be worshipped, all that stuff is in the past tense.

For this writer, both the Exodus and the establishment of the monarchy and the religious life of the people, those things are past events.  I think that’s interesting because it suggests something, once again, of the dating or at least the general time frame of when this stuff was written or when this poem, when this song got its final form.  Probably well into the monarchy, if not later.

Again, it’s interesting.  Some translations put the second half of this poem that talks about the land and the temple as future to avoid this kind of conclusion, but I think that they’re wrong.  I think the Hebrew really lends itself very naturally to just keep reading everything in the past tense.  There is no indication that you should switch to future in Hebrew when you get to this part.

Another so what.   Why am I dragging this out?  I’m not dragging it out.  I think it’s really interesting.  Another so what.

This is a huge issue because scholars routinely, and I think correctly, see the temple on Mount Zion as a replacement for Mount Sinai.  The temple mount replaces Mount Sinai.  Or perhaps, as is more commonly thought among biblical scholars, maybe it’s the other way around.  Maybe Sinai is the later Israelite temple brought back into ancient mythic time.  How is that for a mouthful?

Which came first?  The depiction of Mount Sinai as a sanctuary, as an abode, as a holy mountain and then the temple is modeled after that?  Or is the temple there first and then the stories of Sinai are written in such a way to reflect that later glory of the temple?  Which came first? 

That’s a lot to wrap our arms around.  That’s actually a few podcast episodes all by itself.  I only bring it up here because it might help to explain the ambiguity of verses 17 and 18.  You’re reading it, and what are we talking about?  Sinai?  Or Zion?  That’s a good question.  Maybe that ambiguity is intentional.  Maybe they are both the same.

If you’re really motivated, I highly recommend a book by one of my professors, John Levinson, called Sinai and Zion.  The book is those two mountains, comparing them and how they’re analogous to each other.  It’s a fascinating book.

I should plug my own books, not somebody else’s.  What’s wrong with me?

26:45

Okay, a lot more to this.  Let’s move on to the second part, the journey to Sinai itself that begins at the end of 15 and goes through 19. 

Here’s the big picture.  After Moses’ song that we just went through, his sister Miriam and the women, they sing what looks like the same song and then they all head out to the dessert where they are immediately thirsty and wonder why no one thought ahead that this might be a problem.  They are in the wilderness, for heaven’s sake. 

They take a couple of drinks in a couple of special places.  Then they receive the manna from heaven, the bread from heaven.  Manna is the Hebrew word, “manna,” which means “what is it?”  Because that’s what the Israelites said.  I might say, “What the heck is this?” but I don’t think there is a Hebrew word for that.  “What is this stuff that lands like dew on the ground?  We’re supposed to eat it?  Come again.  What is this stuff?”

27:42 BREAK

29:10

Next, after that, they get a miraculous supply of water from a rock just in time to ward off an attack from the Amalekites.  Where did they come from?  This is the first battle.  Things are moving rather quickly here in this story.

Next, they keep moving.  They’re going toward Mount Sinai.  Next, Moses’ father-in-law, Jethro, shows up and he advises Moses to get help “herding the cats,” so to speak, judging the people, adjudicating differences, things like that. 

You might be asking what Jethro’s doing there.  Remember, he is where?  He is from Midian.  On the way to Sinai, we are close to Midian, it seems.  That is—I touched on this in the first episode—Mount Sinai, in the logic of the story, seems to be in Midian, not in the Sinai Peninsula way south at Saint Catherine’s Monastery.  Look on a study Bible map.  It seems to be some place in Midian.  That’s the logic of the story.

Finally, after three months, they reach Sinai and the people are consecrated by going through a cleansing ritual, because they’re going to need this powerful god who defeated the Egyptian pantheon and the army by all these signs and wonders.


That’s the gist of what’s happening in the end of 15 through 19. 

Just a few highlights:

First, water and food are going to be a problem because we are in the wilderness.  We actually see two miraculous supplies of water.  The first is turning the bitter waters in Mara into sweet water.  It happens to be that “Mara” in Hebrew means “bitterness.”  This story is often seen by scholars as a story written to explain some phenomenon, in this case, why this location is called “bitterness,” of all the things to call a town.  Why call it “bitterness?” 

The story is written to explain that.  We know of stories like this too.  Where do things like sickness, death and evil come from?  Pandora opened the box.  Adam and Eve ate a piece of fruit.  These are stories that are called etiological stories that seem to be written to explain why things are the way they are.

Why is the Grand Canyon so deep?  Because Paul Bunyan and his ox had a wrestling match.  It’s a story written, told to explain a phenomenon.  That might be what’s happening with this site, “Mara,” calling it “bitterness.”  This story of making the bitter water sweet by throwing a branch in there.

The second miraculous supply of water happens at a place called Rephidim.  This is in chapter 17.  The people grumble again, which makes sense, because they had gotten a drink at Mara and at another place called Elim, which is an oasis.  But now, they left those places and they still need water.  So they complain.  Again, “Moses, what are you trying to do?  Kill us?” 

Moses is told by God to strike the rock to let water flow out of it which he does.  Moses promptly gives the place two names:  Massa and Meribah, which mean “test”—they’re testing God—and “quarrel.”  Again, possibly stories to explain how locations got their names.  Possibly.

Here’s the thing:  water, for the Israelites, presented more of problem for them than food because in between these two water stories, the waters of Mara and the waters of Rephidim, in between these two stories, God gives them bread from heaven, the manna to eat.  That manna is promised by God to come every morning dew, except on the Sabbath, so gather twice as much the day before. 

Side issue:  gathering bread on the Sabbath would be work and you don’t do work on the Sabbath even though there’s no Sabbath command given until Chapter 20.  I just wonder, in the logic of the story, were the people thinking, “What’s a—what do you mean Sabbath?  Where did that come from?”  Or are we seeing, again, the story written from a later point of view where Sabbath-keeping was already a thing.

Questions that are really hard to answer definitively, but I’m intrigued enough to ask them because they let us in a little bit on the nature of this literature.

The manna is a daily gift from God for the entire 40 years they wandered in the wilderness.  It doesn’t cease until they come to the borders of Canaan.  We read that in 16:35. It’s also stated in Joshua Chapter 5.  In other words, it ceases after they’ve entered the land.  They have bread to eat for 40 years.  Great!

34:19

No such permanent supply of water is given in this story.  They’re left to wander, maybe stress out about all that.  Not to get off the track, but again, this is so intriguing again to me.  This is the kind of stuff that reading Exodus jumps out at me as I read it. 

We see a close version of this very same story of getting water from a rock in Numbers Chapter 20.  That’s toward the end of Israel’s 40 years in the wilderness.  There, too, water comes from a rock.  Ancient Jewish interpreters—this is before the time of the New Testament—perhaps also wondering why there was no daily provision of water, came up with a rather ingenious solution.  The rock of Exodus 17 that gave water and the rock of Numbers 20 that gave water, though they’re separated by 40 years and located in completely different places, were one in the same rock, which had apparently rolled around the wilderness for 40 years supplying water, like a portable water fountain.

One reason I find that so fascinating is because Paul, our very own Paul, in I Corinthians, seems to be aware of this rather creative explanation and even drops it into Chapter 10, verse 4 of I Corinthians.  He recalls this episode of the Israelites in the wilderness and he talks about how the rock back in Moses’ day was Christ.  Paul is trying to say that Christ’s presence was with them too.  A very Paul thing to say.  A very New Testament thing to say.

Note that Paul doesn’t just say the rock was Christ making a Christological connection.  He says “the rock that followed them,” followed the Israelites was Christ.  Followed.  He got that idea from somewhere.  He got it from his Jewish tradition.

I know we’re just biting off a big chunk off to the side here.  If you’re interested, I talk more about this in the Bible Tells Me So.  Sorry for the deviation, but I just love looking at how Jewish the New Testament writers were when they used their Bible, what Christians call the Old Testament.  It’s actually this story, specifically, that started me down a different path over 30 years ago, about thinking about how the Bible actually works and what it is and how we read it.

One more comment on the manna.  Let’s pause there for one more second.  We’re told that they’re to gather an omer of manna per day, two omers on the day before the Sabbath so you can eat for two days. 

An omer is a unit of measurement.  It’s about one to two liters.  Frankly, that’s no help to me because I’m American and my phone app says that a cubic liter is about a half dry gallon.  My point is that Exodus 16:36 seems like it needs to explain what an omer is.  Because this is what Exodus 16:36 says.  It says, “An omer is a tenth of an ephah.”  An ephah is about 23 liters or somewhere between five to six gallons. 

Could I pick a more boring verse to mention?  I don’t think so.  Not for me anyway.  An omer is a measurement known to us only from this story.  The ephah is the more common measurement in the Old Testament used over 30 times.  We’re seeing here, again, a clue about when this story was written.  It seems the story of omers of manna being gathered preserves something of the past, maybe the deep past from the point of view of the later biblical writer. 

He needed to explain what that was to his readers, who lived at a time when ephah was the measurement used.  In other words, we’re seeing here in this little editorial comment a hint of how these biblical stories have a history.  Maybe they’ve developed and they’ve evolved and things needed to be added as things were handed down.  It’s like us reading in the New Testament—maybe you’ve come across this—we have footnotes that explain a denarius, a unit of coinage.  A denarius is about a day’s wage.  That’s what my study Bible says.

Today, a day’s wage—I actually Googled this—an average laborer’s day’s wage today is $14.57 an hour which is $116.56 cents a day.  It actually helps to know that a little bit.  A denarius is about a day’s wage.  What was a day’s wage?  What would it be for us?  It helps us to put it into context.  Because simply to say denarius—what do I care?  I don’t even know what that means.  Oh, it’s about what a worker makes in a day.  $15 an hour.  $120.  Okay.  I get it.

So much for food and water.

39:45

Another point.  This Israelites right away find themselves in a battle against the Amalekites.  This is in Chapter 17, verses 8 to 16.  For one thing, it’s worth asking whence the Israelites got their weapons.  Exodus does say earlier in the story that they left Egypt with plunder, likes clothes and valuables.  It’s really unlikely that the Egyptians would have decked them out in military gear.  I don’t think I’m crazy for suggesting that.

One explanation for where they got their armor and their swords and their shields from—one explanation that ancient Jewish interpreters came up with is that the Israelites stripped the armor and the weapons off of the Egyptian soldiers whose dead bodies washed up on the shore of the Sea of Reeds.

That actually makes some sense if you think about it.  It’s worth noting that the story itself doesn’t seem at all concerned about with filling in this logical gap.  I don’t think the writer actually cared very much.

I also think that a story about an Amalekite battle here might be for the purpose of giving the later reader something to chew on seeing that the Amalekites were enemies during the times of David and Saul, in their attempts to unify Israel around a monarchy.

I’m willing to think more about that, to entertain that possibility.  I have a feeling that this may be more complicated than what we’ve seen before, reading Israel’s later history back into an earlier time.  The Amalekites have been around for a long time.  I don’t think this is a made-up thing.  But there may be something more to it than what I’m seeing.  Again, we do see this sort of thing elsewhere, where a writer places something of his present back in the past.  In other words, I don’t know, but it is curious that the first thing that happens when they come into the land is that they have a battle with the Amalekites.  It’s not just that they have a battle, however we explain that, the story also serves a purpose of a couple things:  1) introducing Joshua as Moses’ general and he plays a huge role later on in the conquest of Canaan.  I see this as a bridge between the Egypt experience and then the later experience in Canaan.  We have here Joshua teaming up with Moses, so-to-speak, bringing an end to an enemy.  Joshua is going to be that bridge for the people between the Egypt experience and then later, the conquest of Canaan.

Let me elaborate on that a little bit more.  Again, I think it’s important.  We have to look at how they win the battle at all, this whole deal of how they win the battle.  Moses climbs a hill and he stands there with his arms raised.  You know this story.  I’ve heard many sermons on this.  As long as his arms are up, the Israelites are winning.  When they drop down, they begin to lose.  So brother Aaron and some guy named Hur, who will appear later in this story, they see what’s happening.  They rush over to help Moses.  They have him sit down on a rock and they prop up his arms with rocks.  By sunset, the Amalekites were defeated.

Frankly, folks, that’s a little bit weird.  Some commentaries say that this seems somewhat magical almost.  One way of looking at this is that Moses was holding his staff in his raised arms.  It’s not mentioned, so I want to be very cautious about that.  When we’re thinking about that, he’s holding his staff in his raised arms.  That’s why his arms are raised.  He has a staff.

In other words, this is another Egypt-like miracle which makes some sense since the Amalekites are playing an Egypt-like role in trying to squash the Israelites, even when their god was with them and had other plans. 

The power that delivered them from Pharaoh will also now deliver them from the Amalekites, who would also be the god who delivers them from the Canaanites.  Joshua and Moses are in this Amalekite episode.  It’s just Moses in Egypt.  It’s just Joshua in Canaan.  But here, the two are together.  It’s like a continuation of the promise that the warrior god will continue being with them in fighting battles. 

“Moses isn’t here.  That’s okay.  Joshua is.  He was with Moses before.  They’re tight.  So it will be good.”

It’s still weird.  This whole battle depends on Moses not getting tired.  The best explanation that I come up with is what I just said.  I think this is an extended Egypt-like experience where the staff comes into play and as a result, the sign and the wonder is done.  It’s a better explanation.  It’s the one that I go with.  It’s better, in any case, than some more common explanations like Moses’ arms were raised in prayer to God.  There’s nothing in the context that hints at that at all.  Or a popular Christian explanation is that Moses’ arms were raised like Jesus’ arms were raised on the cross.

On one level, I think that’s fine.  It’s well-attested in church history.  It’s fine for Christians to bring these stories and Jesus together like this.  But that doesn’t really help me what the writer here is trying to communicate.  I don’t think he’s saying, “Let’s slip something in here about Jesus.”  It means something to them.  Again, as I said, perhaps this is an extension or continuation of Exodus power at this moment.

45:45

But it’s still one of the weirder episodes in Exodus, along with God almost killing Moses right after he had told him to go to Egypt and deliver the Israelites, back in Chapter 4.  These are just weird things that happen in Exodus.

Another point here in this second big section on the way to Sinai, just a quick comment on Jethro, Moses’ father-in-law.  Moses and the Israelites are close to Sinai in Midian.  Jethro comes out to meet them with Moses’ wife and two sons.  This is in 18:6. They had been staying apparently with Joseph (I THINK YOU MEAN JETHRO) while Moses was busy at work. 

Early in Chapter 4, we hear of just one son, Gershom.  Now, we see he has a second son, Eliezer.  Fine.  Not a big deal.  Just didn’t mention Eliezer.  Who cares?  But there is actually a bigger problem here.

According to Exodus 4:20 in that story where God almost kills Moses, we read there that Moses’ wife, Zipporah, and their one son were with Moses on his way to Egypt.  That’s when the angel of the Lord almost attacks them and kills Moses.  They weren’t with Jethro in Midian.  They were with Moses on the way to Egypt.

It seems here in this boring little detail that we’re seeing evidence of multiple traditions of the Exodus story that were respected enough to be woven together in the making of this book we have before us today.  As is usually the case, the fact that the traditions don’t line up with each other doesn’t seem to bother the editor at all.  I want to suggest it shouldn’t bother us.  It should be a window to helping us understand the nature of this literature. 

Here’s Moses.  He tells Jethro all that had happened in Egypt, which is a nice development in their relationship.  You remember when he left Jethro, Moses couldn’t quite bring himself to tell Jethro the truth of why he was leaving, which is to say, “God told me to leave to deliver the Israelites.” 

Moses just mumbled something about needing to see how his kindred were doing.  “I’ve got to check in on my family” (4:18).  Now Moses puts it out there.  He’s just got this feeling of confidence.  He puts it out there like a son-in-law who earned his stripes and now, his father-in-law can be proud of him.  By the way, I have a son-in-law and was a son-in-law myself.  I get this.  Anybody who’s lived this can understand.

It’s like they’ve reached a new stage in their relationship where shy and unconfident Moses feels like, “Sure.  I stared down Pharaoh.  I stood there and watched the sea split in half.  I think I can handle Jethro.”  “Hey Jethro.  Let me tell you what’s been going on.” 

How does Jethro react?  He’s blown away enough to confess Yahweh as greater than all the gods.  Again, another monolatry thing.

Not so fast Moses.  Right after that, Moses, we read, is burned out from judging disputes between the Israelites who apparently form a line outside his door from morning to night.  Jethro sees what’s going on.  Maybe this is actually too much for Moses.  He tells him, “Well, looks like you could use some help there, Pal?  You should get some able men to help you divide the tasks and leave you to handle only the most important ones.  Not feeling so big now, are you Moses?” 

I’m not sure if that family dynamic is central to this episode.  I know some friends of mine who think this story is a prooftext for how God ordained Presbyterian church government.  You have a head pastor surrounded by his male elders.  Maybe. 

Maybe the biggest point of this story is that this bureaucracy of Israel is the brainchild of a non-Israelite, a priest of Midian, Jethro.  Israel seems to owe a lot to Midian.  After all, that’s where God’s mountain is.  There’s something about Midian that’s important for the origin of the Israelites religion.

Scholars have long wondered whether the origin of Israel’s religion, which historically is a very complicated thing and very mysterious thing, might owe something to Midian in the deep south, with respect to where Israel is, alongside of other stories that the Israelites preserved.  Liked our ancestor Jacob was a wondering Aramean.  This is more in the north.  You can see this in Deuteronomy 26:6. Or if they were from the far east in the land of Babylon.  That’s where Abraham is from.  Or as we read here in this story, some connection historically, some rootage in the land of Egypt.

This story of Israel in the Old Testament seems to suggest that Israelites have various points of ancestry and that were later united under Yahweh’s banner.  Maybe.  I think that’s true.  To me, that explanation makes the most sense. 

In this story, the only point is that Midian is very prominent in this ancient telling of the story of the departure from Egypt.

Moving toward the end here.

They all reach Sinai three months to the day after they left Egypt.  Two things strike me.  First, even those God rules all the earth, as we read, Israel is God’s special possession and their role will be to be a—this is in verse 6 of Chapter 19—their role will be to be a priestly kingdom and a holy nation.  I think this is huge.

This means that Israel’s purpose, already here in the story, is to be priestly, to mediate between God and who?  The nations.  Feel free to think back to the story of Abraham in Chapter 12 where Abraham is called.  Abraham will have an influence on the nations themselves. 

Here you have it.  You’re to be a priestly kingdom and a holy nation.  That’s why you’re here.  That was the plan anyway.  They were rescued from Egypt, not to go free, but to become holy, which means “set apart for special purposes.”  It’s not about moral perfection.  To act as priests mediating God to the nations around them.  A priestly kingdom and a holy nation.  Those aren’t two separate things.  They’re actually two parts of one role.

That’s why it’s so tragic in Israel’s story as we read on in the Old Testament.  Rather than mediating God to the nations, Israel, through its kings, winds up becoming a problem that God needs to solve somehow.  In some cases, He doesn’t solve it at all.  The northern tribes, the northern kingdom go to Assyria and never come back.  The southern tribe of Judah goes into exile in Babylon and comes back and has to rebuild, but never really does.

This plan to be a priestly kingdom and a holy nation doesn’t work out very well.   But that was the plan.

53:50

Another point here.  It seems that no one is to touch the mountain itself.  “Keep your distance.”  In fact, they’re to wash their clothes and to abstain from sex to prepare to meet God.  At a distance.

Now Moses, of course, may go up the mountain.  He can go to the top, but only he.  The holiness of the mountain must be protected.  I only mention this here because a little later in the story, in fact, I mention it in the next episode of this podcast series, we will see more clearly how the holy mountain is marked off in segments, three to be specific, which reminds us of the Tabernacle, which is also the model for the temple later on during the time of the monarchy.

Hanging around the outside of the sanctuary at a distance is fine.  Say the temple.  Only priests can enter the next stage, the holy place.  But into the holy of holies, the third stage, only one may enter: the high priest. 

Moses here on Mount Sinai is like a high priest entering God’s most sacred presence.  You may remember that Chapter 6 which is sort of a boring chapter because there is a genealogy in it, but it makes a big deal of letting you know that Moses and Aaron are from the tribe of Levi, the priestly tribe.  Here, we’re beginning to see why.

We also see here what is glimpsed earlier in the song of Moses in Chapter 15, that the temple and Sinai are closely connected.  To speak of one is to speak virtually of the other.  Both are marked off in segments of approachability. 

In Chapter 19, Moses is spending some time hearing from God on the top of Mount Sinai.  He is about to come down and tell the people what he heard and what God wants from them and what God is going to do for them.  But that is the topic of the next episode, where we look at the section of law in the book of Exodus.

55:57  MUSIC

All right folks, thanks again for listening to another episode here of the Exodus series.  I appreciate you listening and pressing download and all that stuff again.  Just a quick reminder, the “pay what you want class” discussing Genesis is September 23.  Also, I’ll be at Evolving Faith October 4 and 5 in Denver, CO.  Tickets are still available.  I hope you can make it. 

All right folks, thanks so much for listening.  See you next time.

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Pete Ruins Exodus (part 1)

Pete Ruins Exodus (Part 1)

March 11, 2019

There’s a lot more going on in the book of Exodus than what you’ve seen on the big screen or heard in church. More than a story of deliverance, Exodus is a subtle literary creation that contains many surprises when we read it closely. Join Pete here for Part 1 of this series where he looks at some big picture issues (like “did it happen?”) before walking us through the themes of chapters 1 and 2.

Read the transcript

00:00

Pete:  You’re listening to the Bible for Normal People, the only God-ordained podcast on the internet.  Serious talk about the sacred book.  I’m Pete Enns.

Jared:  And I’m Jared Byas.

[Jaunty Intro Music]

Hey everybody, welcome to another episode of the Bible For Normal People.  Today’s episode is a solo episode.  Not only that, but it’s the beginning of a series on the book of Exodus that I’m calling “Pete Ruins Exodus,” just because I like being that kind of guy.  This is not about ruining anything.  It’s more about digging deeper into something that is familiar to a lot of people.

The story of Exodus has this universal appeal.  But I’d like to take a look at this book from other angles, not ones we might have gotten from Veggie Tales or the Ten Commandments or the Prince of Egypt or something like that.  Because there’s a lot going on.  This is a deeply theological book.  I think it’s just a fun thing to look at.  That’s all.  I just like the Bible and I want to talk about it.  So here we go.

Also, I said a series.  This is a series.  Do not hold me to how many episodes.  I have no idea.  It just depends on how things go.  We’ll see.  It could be three.  It could be 30.  Not 30.  But, it’s going to be something more than just a couple, because there’s a lot going on.  Especially, with the first three/four chapters, those are such thick and rich chapters.  So much information is just baked into these chapters, that I think that it’s well-worth our time to maybe slow down a little bit at the beginning and take larger chunks as we go on.  That’s sort of what I’m planning.

My plan, then, is to, as you’ll see in a second, divide the book of Exodus into sections.  And for each section, drop down into the book and focus on things that, I think, are interesting or important or the kinds of things a lot of people talk about, all for the purpose of helping us understand the theology of this book more clearly, because it is a book of theology.  There’s no question about that.

Now as we get started, there are a couple of background issues that all have to do with history that keep coming up, and I want to introduce them here.  We’ll come back to them occasionally during the course of these podcasts.  But the first has to do with authorship of the book, namely who wrote it, and when.  The bottom line is nobody knows.  Nobody really knows who wrote the book of Exodus.  In fact, most scholars think that is was compiled more than written from various traditions over several centuries and then brought together at a later time in Israel’s history.  That is pretty much my point of view as well.  But it’s not the most important thing we’ll talk about here, because we are going to try to deal on the level of where theology and history sort of come together, and not focus entirely on things like where did the book come from, who wrote it.  Those things are relevant.  We’ll see that in a second.  But it’s not the focus.  But the bottom line is nobody really knows who wrote the book.  To say that Moses wrote it is really a guess because the book’s anonymous, just like Genesis.  They’re all anonymous.  We don’t know who wrote any of these books.

Tradition has Moses, but a lot of work, not just in the modern period, but even going back to Medieval Judaism and even before that, people have picked up that it’s hard to look at a book like Exodus and say, one person wrote this in one sitting at the time of Moses’ life, which might have been right around the 13th Century or something like that.  It’s unlikely that that’s the case.  But this podcast series is not about that.  I’m just throwing it out there because it will come up. 

The other issue is just, the basic(est) issue of historicity, fancy way of saying, “Did any of this happen?”  What I’ll do is, as we go through the podcast, is say things like, “In the logic of the narrative,” because I don’t necessarily want to commit myself to whether things happened or didn’t happen.  I do think things happened.  We’ll get to that in a second too.

Again, defending the book historically is not my point.  I don’t want to defend anything and I don’t want to presume anything one way or the other.  I want to just let the book have its way and talk the way it wants to talk.

Did any of this happen?  That’s a question that’s of some importance, especially for some modern readers, not for everyone.  I think of it this way.  The reason why digging into history is actually more than just interesting, but it’s important, is that, while these texts were written by people at some point in time in the past, and knowing something of context, knowing something of when might help us understand something of why these texts were written. 

I mean, think about this.  Pick a figure like Martin Luther King, Jr. or Franklin Delano Roosevelt, and say, “Yeah.  I want to talk about Martin Luther King Jr.  I want to talk about Franklin Delano Roosevelt.”  Somebody might say, “Okay.  Well, for Martin Luther King, Jr., we have to talk about also just the setting of the 1960s’ Civil Rights Movement.”  You say, “No way.  I don’t—I’m not interested in that.  I just want to talk about Martin Luther King Jr. or FDR.” “Yeah.  He helped America get out of the Depression and he was the president during the Second World War.”  And somebody says, “Hold on a second here.  Who cares? I just want to talk about Franklin Delano Roosevelt.”  You can see how nonsensical that is.  Right?  You have to talk about context because human beings are contextual beings and social beings.  No one’s an island.  Knowing something about the past setting might help us understand the theology of the text, which is really the goal for me.

05:24

Not only that, but you have sort of a triangle here.  You’ve got history, theology and then other aspect is the Bible as literature.  And it is.  We’ll see that too, here in the book of Exodus. 

Think of it this way.  You have a writer living in history who is trying to communicate something of a theological nature through writing.  How he writes the literature, when he writes the history affect how we read the theology.  Those things all hang together.  To just read Exodus without a view towards literature or history, it can really wind up obscuring the message and not helping it very much.

A few more words about history.  Because again, this is something that comes up a lot and so much of this book is an object of apologetic defense.  Did the Exodus happen as the Bible says it did?  Just introduce it here.  I don’t want to get into it too much.  We’ll see things along the way.  But it’s worth noting, first of all, that there is no direct evidence whatsoever for an Israelite presence in the land of Egypt at any point in time.  In other words, there’s just nothing there.  There’s nothing Egyptian, and the only source we have is an Israelite source, the Bible.  We don’t have any musings from other nations.  We don’t have any material, evidence, in other words, archeological evidence.  There’s nothing there. 

There’s evidence for a lot of things that are in the Bible.  But for this big event, we just don’t see much.  That’s at least worth stating.  That doesn’t prove nothing happened.  But it’s at least a fact.  It is a fact that we don’t have evidence.


Now some say, not to get into this too much, but some say, “Why would we expect the Egyptians to talk about this humiliating defeat on the part of a slave population that left Egypt?  They would want to bury that and not talk about it.”  That’s just not true.

What ancients did was, when something bad happened, they didn’t try to ignore it.  They spun it.  I would expect something.  We see this, actually, elsewhere in the Old Testament, vis a vis, other nations and how they talk about things.  We would expect the Egyptians to have spun and said, “Listen, our gods were mad at us.  Therefore, we lost our slaves.  It’s not that we’re weak.  It’s that we were disobedient.”  That’s a common ancient way of handling embarrassing moments.

Plus, you can’t really keep this quiet.  It’s not like no one would have heard of it.  It was pre-internet, but still, the Moabites, the Ammonites, the Edomites, the Babylonians, somebody would have heard of this mass escape of slaves and the economic and ecological destruction of Egypt.

It’s hard to imagine that the silence of Egyptian sources is actually an argument for historicity, which is how some people try to defend.  But I think it just doesn’t work.  Having said that, I think there is suggestive evidence for the fact that something happened, which is sort of my position.  Something happened.

For example, one of the oldest pieces of Hebrew literature that we have comes from the book of Exodus, Chapter 15.  The oldest manuscripts we have of Exodus are a couple of hundred years before Christ.  Nothing really before that.  That’s the Dead Sea Scrolls. That’s the oldest textual evidence we have of anything in the Bible, with a couple of exceptions, but not really relevant for this discussion.

But, Chapter 15, called the Song of Moses or the Song of the Sea—this is considered, by linguists, to be evidence of very old writing on the part of the Hebrews.  It could go as far back as about 1200 BCE, which would make it very old and would make it not long after these kinds of events would have transpired.  Just think about that.  Exodus 15 is a song praising Yahweh for killing the Egyptians in the sea.  That’s really what it is.  “You’re so great.  You’re awesome.  Blah.  Blah.  Blah.” 

Probably Exodus 15 was changed and adapted and added to later in Israel’s tradition.  Probably the Exodus 15 that we have was not all old from the 12th Century, but there are elements of it that linguists say make sense in that time period.

Think of it this way: if someone were to find a manuscript that has a lost Shakespearean play or something like that, we would know instinctively where to put that historically.  We wouldn’t put it in the 19th Century.  We wouldn’t put it in the 12th Century.  We wouldn’t put it in the 21st Century.  We’d put it where it belongs, right in the middle there somewhere.

10:09

We know enough about the development of the English language to know pretty much where things should belong.  That’s what linguists do of Semitic languages like Hebrew and others.  They’re able to see evolutionary developments in languages because all languages evolve.  All languages develop.  You can see signs of that in Exodus 15, along with passages like Judges Chapter 5.  This is the story of Deborah.  That’s another one.  Very often, scholars will look at Genesis 49, Jacob’s last words to his sons before he dies.

It’s interesting.  This is suggestive that the earliest memory we have of the Israelites is something that has to do with departing from Egypt.  It’s interesting.  That’s like the earliest record we have. 

It’s also the earliest record we have of. Yahweh as a warrior, which doesn’t stay that way throughout the whole Bible.  But early depictions of Yahweh as a warrior who rescues his people and beats up the Egyptians.  That suggests that this is a very old memory on the part of the Israelites and it’s not made up after the Exile or something like that.

Another echo of history here is several of the names, one of which is Moses’ name itself.  We’ll get back to that soon enough.  But Moses is almost—it just sounds like an Egyptian name.  You have that element.  Moses, that’s at the end of other names, like King Tut, King Tut Moses.  That’s the full name, which means something like “born of a god, born of the god Tut or Toth,” spelled, pronounced differently, depending on who you ask.

That Moses element seems to be part of an originally longer Egyptian name.  That doesn’t prove anything.  It doesn’t prove the historicity of Moses.  Doesn’t prove the historicity of the Exodus.  What is does indicate, though, is that there an Egyptian memory.  There’s something about Egypt that seems to be real and strong in Israel’s memory that would inspire the writing down of stories like this.

It doesn’t seem like this is simply made up of out of whole cloth. Who would make up, frankly, a story of national origins that goes, “Yeah, we were slaves for a long time and then we escaped.”  It doesn’t seem like the kind of story that you’re going to make up out of whole cloth.  There’s seems to be a real authentic memory of something that has made its way through Israel’s tradition and is now written down.

What some scholars say, and even Evangelical scholars (I shouldn’t say “even”), but just to indicate how relatively broad this way of thinking about it is, a way of looking at this book of Exodus is what some call mythicized history.  If you’re interested, I think I wrote a blog post about this a year or so ago.  You can find it on the website.

But mythicized history.  In other words, it’s history that mythicized.  Something happened, but then the way they tell the story gets overlaid with mythic elements.  I use that word without embarrassment or shame or hesitation, because that’s what they are.  We’ll get into this.  They’re mythic elements that are used to communicate the full force of the impact of the story.

There are ways of telling stories of origins in the ancient world and implying mythic themes is one of them.  We see that in the book of Exodus.  But here’s the point.  The root of it is some historical experience, but that gets told in any mythicized way, as opposed to the opposite, not historicized myth, but mythicized history is what I’m saying.

Others would say (this is really not a view that’s that common anymore that it would be, not mythicized history, but historicized myth.  In other words, it’s something that’s foundationally mythic, and then you just put some names and places attached to it to make it look historical.  That doesn’t seem to be the case.  You’re on pretty safe grounds saying something like, “There’s a historical base, but it’s mythicized.  That’s just the way they told stories back then.”

Again, those are just two preliminary issues:  authorship and historicity.  We’ll get back into all this stuff, no doubt, as we continue this series.

But here, let’s start this way.  The big picture.

Exodus, second book of the Bible.  Got it.  Good.

Forty chapters long and I like looking at books of the Bible from a thirty-thousand-foot view.  When I do that, I see these 40 chapters and I divide the book into two parts.  The first 15 chapters are all about departing from Egypt and then the rest of the book are all about the Sinai experience.  So 1-15 and then basically 16-40.  Most of Exodus happens on Mount Sinai.

By the way, Mount Sinai is really the location of, not just most of Exodus, but all of Leviticus and the first ten chapters of Numbers.  Basically, the center chunk, the heart of the Pentateuch, takes place on Mount Sinai.  About a year transpires in the logic of the narrative.  About a year transpires on Mount Sinai, which means, you’re really slowing down the clock here and spending a lot of time at what happens on this mount, which is an indication to us that this is important.  Exodus is really about getting to Mount Sinai.  That’s really what the story’s about.

15:24

Let’s break this down a little bit further, because this is where we’re going to go with this series.  Chapters 1 to 15.  This is all about the departure from Egypt.  I would say the first four chapters are all about preparation.  It’s about the preparation for the actual departure.  The problem is introduced.  Moses is introduced.  We can sort of see where this is going. 

Then, starting in Chapter Five and going to Chapter 13.  Now we have Moses engaged with Pharaoh and they’re battling and it’s the plague narrative.

Chapters 14 and 15 are the story of the departure from Egypt itself, the Red Sea Crossing or the Sea of Reeds.  We’ll get to that too.  It’s probably Sea of Reeds.  It’s not Red Sea.

Chapter 14 is the narrative version of the departure from Egypt.  Chapter 15 is the poetic section.  That’s one of the older sections of Hebrew literature, as I mentioned before.  You have the preparation, the plagues, then the departure.  That’s the first 15 chapters.

The rest of the book is all about, first of all, getting to Mount Sinai.  That’s Chapters 16 to 18.  They arrive in Chapter 19.  They won’t depart from there until Numbers Chapter 10.  They’re going to be there for a long time. 

Then, the laws—that’s Chapters 20 through 24—20 is the Ten Commandments.  The rest are something called the Book of the Covenant (which we’ll look at some of those laws later on in this series).

Then comes this Tabernacle section.  That begins in Chapter 25.  The last—more than a third of the book is taken with something to do with the Tabernacle.  It’s a bit tedious.  We’re not going to spend 15 weeks on the Tabernacle, but we’re going to spend a little bit of time, because there’s stuff happening there that’s really, really interesting theologically. 

This is the stuff you skip.  If you’re reading through Exodus and you make it past the laws, you didn’t give up and you’re at the Tabernacle section because “who cares,” right?  But the instructions for building the Tabernacle are Chapters 25-31.  The actual building of the Tabernacle are Chapters 35-40.

Sandwiched in-between is the famous episode of the Golden Calf, Chapters 32 to 34.  And we’ll take each of those in turn, obviously, when we get there.

That’s the basic gist of it and, I thought, today, we’ve got a little bit of time.  We can just start off her with Section One and see where we go, because I have no idea where we’re going.  We’ll see where we go.  Who knows where we’ll end up.  Anyway.  Okay.

Section One.  This is about Chapters 1 to 4.  This is about the preparation, as I said.  We’re going to take a little more time here because these are thick chapters.  There’s a lot going on.  It’s not just preliminary stuff to get out of the way.  It’s sets up what’s going to follow.  I think it’s worth paying some attention to.

The big view here (these first four chapters) is that there’s a problem, a big problem.  From the Egyptian point of view, here’s the problem.  The problem is that there are too many Israelites and they might rebel.  The solution is, eventually—well, there are actually three that are attempted.  One is enslavement.  That sort of works, but it doesn’t work.  We’ll look at that in a second.  Another is, you have—the midwives are told (if you’re familiar with this story)—the midwives, these two midwives, Shiphrah and Puah, are told to kill the mail children when they’re born.  That doesn’t work.  Eventually, the third solution is to throw the male Hebrew children into the Nile.

Israel is under threat.  They’re not just enslaved.  They’re actually under threat.  That poses a problem.  Israel’s under threat.  Now another solution is offered.  This solution is, of course, Moses—Moses is called to deliver the Israelites.  We’re introduced to Moses here in this part of the story.

In Chapter One—these are just some things that I think that are worth noticing.  Throughout, I’ll be looking at the New Revised Standard Version if you want to follow along.  That would be fine too.  In fact, I hope you do, as long as you’re not driving.

Chapter One.  Here are some things that I think are worth noticing in the chapter that aren’t always drawn out.  Actually, three in the first chapter.  The first is the introduction of a theme that will become very, very important in the course of this book, and that is the theme of creation.  You can see this already.  It’s hidden a little bit, but not too much.  In Chapter One, look at Verse 7.  It talks about how the Israelites were fruitful and prolific and they multiplied. 

This is echoing Genesis One language because the Israelites are actually doing what they’re supposed to be doing.  They’re in accordance with God’s will by increasing in number, which is exactly the thing that has this Pharaoh freaked out, this unnamed Pharaoh freaked out.  And so he wants to do something about it.  He says, “There are too many.  They might actually rebel against us and join with our enemies and fight against us.  We can’t have this.  We have to keep them under wraps.”  Which is why he enslaves them.  That’s the first attempt.

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But you see, we should not lose sight here of how Pharaoh and Egypt are being posited here by the writer as sort of an anti-god force.  Not just ???? enslavement, but the problem they have is that there are too many Israelites, which is exactly what God wants.  By trying to keep the population down, they’re going against the creation mandate.

As I said, is something that will come up again and again and again in, especially, the first fifteen chapters—actually, no, the whole book.  What am I talking about?  The whole book has this creation theme happening and it’s introduced to you already.  Actually, when they’re enslaved, as an attempt to curtail the population, we read in verse 12, the more they were oppressed, the more they multiplied and spread.  It actually backfires.  That attempt to reduce the population actually results in them increasing all the more.  This is an indication of God’s favor.  This is actually an indication of where this whole book’s going.

Egypt’s attempt to hold the Israelites at bay and to squash the Israelites and to squash their god are going to backfire.  They’re not going to work.  This is already hinted at here at the very beginning.

Actually, speaking of Genesis here, this is a connection back to Genesis One.  But there’s another interesting connection here to Genesis, which again, shows us something of the literary style and intentionality of this writer.  Because in verse 10, this is the people saying, “Look.  The Israelites—they’re more numerous, more powerful than we.  Come let us deal shrewdly with them.”  That same cadence, that same language is used in the Tower of Babel story.  “Come let us make bricks.  Come let us build the tower up to heaven.”

Of course, that effort (if you know that story) is squashed by God, because God later says, “Come let us go down and see.”  The divine response also begins, “Come let us.”  As you’re reading this, you see here an echo of the Tower of Babel story.  Again, this is an indication that at some point in the Exodus story, God is also going to have a “come let us” moment.  And that’s called the Plagues and the Red Sea.

It’s not terribly subtle.  It actually jumps out at you when you’re reading this story.  If we’re looking for and even expecting these writers to make these connections to other parts of their story, especially the book of Genesis, oh boy, is Genesis just a wonderful place for this writer to go to draw connections with the story of the Exodus.  If we’re expecting that, we’re going to see it and I think we should just keep our eyes open to all that stuff.

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Creation theme.  That’s a big thing. 

A second thing is women in Exodus are being introduced here.  We have a few of them, especially in Chapter Two.  We’ll get to that.  They’re sort of heroes by undermining the work of this Pharaoh.  You have these two women, Shiphrah and Puah (by the way, who are named and Pharaoh isn’t).  I think one reason why Pharaoh isn’t named, because this may be very distant past memories and it doesn’t even matter who the Pharaoh is, but maybe they don’t remember his name.  But the point is that they do remember these midwives’ names, because they do something pretty good.  They outwit the king and they do so by lying.

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The king says to—the Pharaoh rather—he says to “kill the male children when they’re born” and they’re not doing it.  He says, “What’s going on?”  They say, “You don’t understand, by the time we get there, these Hebrew women are so vigorous, by the time we get there, they’ve already given birth.  These are amazing women.  They just drop kids all over the place.  We can’t get there in time.”

That’s not true.  That’s a lie.  What a lot of my students wind up asking about this story (maybe you’ve asked it too), is why do they lie and why is it okay with God to lie like that.  I tell them, with complete respect, “that’s a very white question to ask.  That’s a very privileged question.”  Because when you’re living in a time where you don’t have power, where you’re disenfranchised, where you’re marginalized, you have no power.  There’s no court to go to.  There’s no lawyer.  There’s no legal system.  If you want to get away with stuff that you know is right, that you know that you have to do, in the face of absolute power, which is the king of Egypt, the Pharaoh, you have to be crafty and you have to lie.  This is not the only time we see this sort of thing in the Bible.  You have to tell stories to people in power to outwit them.  This is really not lying.  This is outwitting.  This is using your wiles and your abilities to think on your feet to allow God’s purposes to go forward.

It’s not a moral issue.  “Oh no.  They’re lying and it’s bad to lie.”  It’s not bad to lie.  Not here.  There’s actually something that scholars study.  It’s called the trickster theme.  This is the theme that appears in many places in the Old Testament, where, just like it suggests, you are tricking other because you’re disenfranchised and you’re out of power and this is what you have to do.

Again, we’re going to meet other women, especially in Chapter Two with Moses’ sister and Pharaoh’s daughter.  You have this group of women in Chapters One and Two who outwit the almighty Pharaoh, which makes him look rather ridiculous, that he’s being so easily outwitted by these women.  I think that’s, in my opinion, the intention of the writer.  It’s not simply—it’s not to elevate women in the abstract, although we can read it that way.  I don’t that’s the intention of the writer.  My opinion—I don’t think it’s to elevate women, as much as it is to make Pharaoh look ridiculous that you have his sister, Moses’ sister, and Pharaoh’s own daughter and these two lowly Hebrew midwives who are slaves, they’re able to outwit this Pharaoh so he doesn’t know what’s going on.  As a result, Moses is drawn into the household of Pharaoh and he grows up there, which will have rather significant implications as the story goes on.

Third thing.  We have the creation theme.  The introduction of women in Exodus.  Also, this idea of drowning the male children in the Nile.  That’s the third of the three attempts on the part of Pharaoh to reduce the population of the Israelites.  It’s only the male children, of course, as is with the midwives.  Here is it with the Nile.  It’s only the males because they’re the ones who go to war.  They’re also the ones through whom the lineage is traced and so if you want to further disenfranchise a people that have, let’s say, a nationalistic or an ethnic identity, the way to do that is to get rid of the men.  The women will become the property of other men, namely Egyptians.  So you get rid of them.  This makes some sense historically.

But the men here are thrown into the Nile.  Male infants are thrown into the Nile for drowning.  We have to think here of how this story will end.  The Red Sea.  Especially the Tenth Plague too.  The Tenth Plague and the Red Sea.  The way many interpreters, especially Jewish interpreters throughout history have read this, is that the Tenth Plague, which is the death of the firstborn, and also the Red Sea, which is the drowning of the Egyptians, that’s sort of tit for tat.  It’s eye-for-an-eye, tooth-for-a-tooth.  “If you do this to my children at the beginning,” Yahweh says, “Justice means it will happen to you at the end.”  That’s the Tenth Plague and the Crossing of the Red Sea.

The plagues as a whole are really, in my opinion, just an onramp to get to the Red Sea episode.  There are Ten Plagues.  They’re rather drawn out.  We’ll get into all that stuff.  It could have been one plague.  It could have been none.  It could have just been “go out.”  Just leave, just part, go through the Red Sea.  But you have this Ten Plagues and it goes on for a bit.  It’s all about building up the tension for that final moment where God finally does what, again, in the logic of the narrative, God finally does what God has been wanting to do, namely, vengeance on the Egyptians.  “You will die because of how you treated my children.”

It’s interesting.  When we get to Chapter Four, we’ll see how when God tells Moses to confront Pharaoh, he says, “Is this what you say?  Israel is my son, my first-born.”   Israel is like God’s child.  “If you do this to my children, then your children are going to get it too.”  It makes sense.  The theology makes sense is what I’m saying.  It may be a little bit gruesome, the violence here, but again, you’re reading the Bible, folks.  We got to get used to the violence.  It’s all over the place.

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Ok, so those are three things that happen in the first chapter and some of these things we’ll come back to, namely the Nile and the Creation theme.  Those things hang together.

In the second chapter, this is where Moses is born.  We’re introduced to Moses.  We’re told that he’s a Levite.  When the Bible gives details like that, it’s probably important, because we’re not given much information about the book of characters, and when we are, there’s probably a reason for it.  But here, we’re told that he’s a Levite.  Of course, his brother Aaron will be the first high priest.  He’s of the tribe of Levi as well.  That’s an important detail for this author because Tabernacle, sacrifice, priesthood, all this stuff gets introduced in the book of Exodus.  The main guy here, Moses, is of that same tribe and nd his brother, Aaron, who will be the high priest.  That’s just laid out there right here at the beginning.

A second thing here in terms of Moses’ birth in Chapter Two, is, as you know, the famous story, he’s put into a reed basket or a papyrus basket as the New Revised Standard Version has it.  And it’s lined with bitumen and pitch to keep it from sinking.  The Hebrew word here for this basket is a rare word in the Old Testament.  It’s only used here and then way back in the flood story to describe the ark.  The Hebrew word is “tevah.”  That’s not irrelevant.  That’s pretty important because what you have is Moses—this is like another Noah, and he’s in an ark and he will be delivered from this watery threat.  As a result, there will be a new beginning for God’s people, just like the Noah story.  He and his family are saved through a threat of water and as a result, they’ll start something new.

We’re seeing the Noah story revisited here, but not just a “what a nice little literary connection.”  The point is more theological that God is doing something new and you know he’s doing something new when he’s saving people through water.  Guess where else in this story God is going to save people through water?  Exactly.  Chapter 14 and 15.  The departure from Egypt.  The crossing of the Sea of Reeds.  You’ve got this water deliverance in this story that actually echoes back to Genesis Chapter One as well.  I’m going to leave that for later, because it’s really clear when you get to Chapter 14 that it’s not just Noah, but we’re going back to Genesis Chapter One in this story.  There are echoes of the creation story itself later on, very prominently when we actually depart Egypt.

You have a reed basket.  Also, as I mentioned before, you have the sister here who puts him afloat and follows the basket and sees where it goes and Pharaoh’s daughter picks it up.  The two of them conspire to keep this infant safe from Pharaoh’s hands.  “I happen to know this guy’s mother.  You want me to bring him back and have her breastfeed him until he’s ready?”  “Yeah.  That’d be great.  Go ahead and do that.”

Three months or so and then he comes back.  Actually, it’s more than that.  It’s not three months.  Actually, we don’t know how long it is.  When he’s ready, he comes back and then he grows up in the house of Pharaoh.  We have these thoughtful women outwitting Pharaoh and finding a way to keep this infant safe, because they’re looking at this infant and for whatever reason, this is a kid worth saving.  At least, that’s Pharaoh’s daughter’s point of view.  Moses’ sister would not have that kind of an issue, but she looks at him and says, “Wow.  This is fantastic.” 

We have these women outwitting Pharaoh again.  Also, the name Moses—I mentioned before it probably has an Egyptian echo to it.  But in the story itself, the writer gives Moses a very different meaning, a Hebrew meaning from a verb, a rare verb in the Old Testament that means “to draw out,” meaning “because I drew Moses out of the water, I’m going to call him Moses.”

A problem with this is that who’s giving Moses this name.  It’s Pharaoh’s daughter, which raises a couple of questions.  Number one:  did she know Hebrew?  The chances for knowing Hebrew, maybe, maybe not.  I think it’s unlikely.  Most people think it’s unlikely.  Why would she bother learning the tongue of the slaves?  They have to learn their tongue, not the other way around. 

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But more importantly, why would she give him a Hebrew name to begin with if the whole point is to keep him safe.  At the dinner table with Pharaoh: “Hi.  This is Moishe.”  You’re not going to do that.  You’re going to do something else.  It’s unlikely that she gave him this name, but here’s what’s happening.  This is the pretty standard answer in Biblical scholarship, if it’s of interest to you.  I hope it is.   This is what is called a folk etymology.  It’s not a scientific, linguistic etymology.  But it’s a folk etymology.  It’s how the Israelites later explain the name of Moses from their point of view.  It’s possible the author may not have understood Moses’ name, maybe few people did.  Who knows?  But at least, the writer intentionally gives this name a Hebrew significance that has something to do with the story itself.  So it’s unlikely that Pharaoh’s daughter named him this, because it would have been rather nonsensical for her to do that.  The name has some historical residences with Egypt.  But from the Hebrew point of view, “who cares?”  That’s not furthering our story.  We’re going to look at this differently and give him a Hebrew etymology, which means “to draw out of water.”

One more thing about Moses being drawn out of water.  Everybody talks about this.  This parallels a much, much, much older story, going back to late third millennium BCE, of a king, Sargon, of a place called Akkad (there’s where we get the word Akkadian from, if that helps).  We have a similar kind of rags to riches story.  He’s threatened and he’s saved by the court and his life is threatened.  But then he grows up in this court and winds up becoming a great king.

The Moses story follows that pattern very nicely, so much so, that scholars typically think, not so much in terms of the Moses story is borrowed from this story of Sargon from a long time ago, but it’s more like a standard way of talking about the origins of a great person, sort of like a rags-to-riches story.  That seems to be what’s happening here, and again, these are the kinds of things have to be discussed when you’re talking about the historicity, like we said earlier, when you’re talking about the historicity of this episode.  These are the kinds of things that you have to really take into account somehow and try to explain.  Again, it may not mean that Moses never lived.  But it may mean that Moses’ actual history, the way we think of it, may not be exactly how the Bible here is portraying it, like where he got his name from.  This is a Hebrew overlaying.  This is not really mythical.  We’ll get to mythical overlays later.  But this is still a legendary or a theologically meaningful way of telling this story that really speaks to the people who are recounting their past and setting a vision for their present and a vision for their future.

If we’re expecting this to be totally distant from history and have no connection with the Sargon story, I think that’s a tough hill to climb.  Using literary motifs from other nations is not unheard of in the history of humanity.  You sort of do that.  You learn how to tell stories from the environment that you’re in.  That seems to be what’s happening here as well.  Moses is already being styled as, clearly, this guy’s going to be a great leader.  Look at how history is beginning.  This is how you tell the story of a great leader in that time.

Then he flees (little Moses) to Midian and he flees there because he was found out.  He saw an Egyptian beating a Hebrew slave and he intervened and he killed the Egyptian and hid him in the sand.  Way to go Moses!  Way to not be impulsive!  But you see what’s happening here is that we’re seeing Moses as a grown man.  We know nothing of his infancy except for that little story.  But here is a grown man and he’s doing now what he’s going to be later on.  He’s protecting his people from the threat, from the Egyptian threat.

Actually, this whole Chapter Two that talks about Moses’ flight to Midian is a preview of coming attractions.  We’re seeing Moses do things that he’s going to be doing later on his life throughout Exodus, Leviticus, Numbers and Deuteronomy.  He saves a slave from the Egyptians, he protects his own people.  But then the next day, he sees two Hebrews arguing and he gets in the way of them and they say, “What are you going to do?  You going to kill one of us too?”

There’s this whole grumbling and rebellion against Moses’ authority on the part of his own people that pops up a lot.  If you know where this story goes, it pops up a lot in the story of Moses throughout the next few books of the Bible.  We have another example of something is that is a preview of coming attractions. 

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The biggest one is that he flees and where does he flee to?  He flees to Midian, which anticipates the same path that the Israelites will take later on.  He goes to Midian (we’re jumping ahead here).  He meets Yahweh on Mount Sinai and Yahweh says, “Go get the people and bring them back here to worship.”  It’s almost like a trial run, escaping Egypt to go to Midian.  He’ll come back and then he’ll take the people. 

More subtlety, however, this story of going to Midian has another echo of something in Genesis, namely the Joseph story.  Joseph is cast into a well by his brothers, but then sold to the Midianites, who then give them over to the Egyptians.  There’s a Midian connection that brings Joseph to Egypt and there’s a Midian connection here to with Moses that will bring him back to Egypt.  Midian is also, if I remember this right, he’s also one of Abraham’s sons through Keturah named Midian.  There’s something about the ancestors in Genesis that is evoked by the word Midian. 

Another point about this flight to Midian is this is where he’s going to meet his wife by a well.  Zipporah.  She’s the daughter of Jethro, the priest of Midian.  This, again, connects him to these ancestral stories in the book of Genesis, namely Isaac and Jacob.  They both meet their wives by a well.  What is it about a well?  It’s like a bar.  I don’t know what it is.  It’s just where you meet girls or something.  Probably not.  It’s a motif.  It’s the dessert.  You’ve got to drink and you meet people by a well.  But he’s doing it too.  This is a continuation of this theme from Genesis. 

One last point and then we’ll stop for today.  We see here at the end of Chapter Two, I think, a very, very important moment in the story that is worth remembering.  It’s the last three verses of Chapter Two.  I just want to read them.

“After a long time, the king of Egypt died.”

This Pharaoh that had impressed them and enslaved them, he dies.

“This Israelites groaned under their slavery and cried out.  Out of the slavery, their cry for help rose up to God.  God heard their groaning and God remembered his covenant with Abraham, Isaac and Jacob.  God looked upon the Israelites and God took notice of them.”

The reason I want to draw this out just a little bit is because this is giving us the reason for the Exodus.  Why does God deliver His children from Egyptian slavery?  It’s basically to keep a promise to the Patriarchs, meaning Abraham, Isaac and Jacob.  This is who God speaks to in the Old Testament in the book of Genesis, especially, in Chapter 15, where he’s engaging Abraham and he says, “Listen, your descendants are going to be slaves in Egypt for 400 years, but I’ll get them out and I’ll bring them into this land and everything will be fine.” 

This is a promise that God made.  It’s not simply God hates slavery.  Forgive me.  God clearly doesn’t hate slavery because there are salves all over the place.  There are even laws in Exodus about what to do with slaves and how to keep them and how to treat them.  Slavery is not a bad thing.  Not for this god.  Not for here. 

It’s not just “I don’t want slaves and I hear you crying out.  I hear you groaning and I don’t like slavery.”  It’s more “I made a promise to Abraham and I’m going to keep it.”  That is the reason why they’re delivered from Egyptian slavery.

The last verse—I love the last verse here because if I could throw a little Hebrew on you here—in English, it’s rather cumbersome.

“God looked upon the Israelites and God took notice of them.”

But in Hebrew, it’s just a few words.  “God saw the Israelites.  God knew.”

I just love that.  God saw.  God knew. 

This is not taking God by surprise.  God is going to do something.  From here on out, what we’re really going to see is what God is going to do to deliver the Israelites.  Not so much Moses.  But God sees and God knows.  And now something absolutely is going to happen.

[Outro Music Begins]

Alright folks, well we’re going to stop there. That’s not bad, we did half of this preparatory section 1-4, we’ll finish it next time, whenever that’ll be. I have no idea, I’m not planning this out folks, it’s just going to happen by Divine direction I think; it’s just going to happen. But until then, and as always, thank you for listening. Folks, when you press download and then push to listen, we’re very thankful that you’re letting us into your lives. We don’t take that for granted at all, and one last thing, this is important, it’ll change your life. So 3 simple words: Grab. Some. Swag. You can go to our store at thebiblefornormalpeople.com and you can find t-shirts of various colors, even youth sizes, with all sorts of fun little sayings on them and polo shirts, which I have, and fleece hoodies, hats, beanies, all different colors and sizes. We have a lot of mugs, tote bags, and we even have onesies for your babies. We’re actually working on an adult onesie but we’re trying to figure out whether that’s actually legal in the state of Pennsylvania. But if it is, oh boy, you’re going to see adult onesies here on this website. Because, why not? That’s why. Because that’s how we roll, man, and that’s what we do. Ok folks, anyway, thanks again for listening and we’ll be with each other next time. See ya.

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